Tag: Korean shamanism

  • The History of Korean Horror

    The History of Korean Horror

    Special Guest: Justin Kyle ( Straight Chilling – A Horror Podcast)

    Justin Kyle from the Straight Chilling Podcast joins Joe and Shawn to walk through the history of Korean horror cinema decade by decade, from silent-era ghost films made under Japanese occupation to the shamanism boom of the 70s, the censorship dark ages of the 80s, and the golden ages that bookend the 60s and the 2010s. Along the way they make the case that Korean horror has been doing most of what people think is new for over sixty years, and argue about whether Train to Busan deserves any of its reputation.

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    Join our Patreon to get more stuff

    https://patreon.com/darksideofseoul

    Book a tour of The Dark Side of Seoul Ghost Walk at https://darksideofseoul.com

    Credits

    Produced by Joe McPherson and Shawn Morrissey

    Music by Soraksan

    Top Tier Patrons

    Angel Earl
    Joel Bonomini
    Devon Hiphner
    Gabi Palomino
    Steve Marsh
    Eva Sikora
    Hunter Winter
    Cecilia Löfgren Dumas
    Ashley Wright
    Edward Bradford
    Boram Yoon
    Chad Struhs
    Stewart MacMillan
    Louise Dreisig

    Korean Horror Film Timeline by Decade

    Silent Era

    1924 — Tale of Two Sisters adaptation — lost film

    1960s

    1960 — The Housemaid (하녀) — Kim Ki-young
    1960 — Madam White Snake (백사부인) — Shin Sang-ok
    1964 — The Evil Stairs / The Devil’s Stairway (마의 계단) — Lee Man-hee
    1965 — A Bloodthirsty Killer / Devilish Homicide (살인마) — Yi Yong-min
    1967 — Public Cemetery Under the Moon (월하의 공동묘지) — Kwon Cheol-hwi
    1967 — Yongary, Monster from the Deep (대괴수 용가리) — Kim Kee-duk
    1969 — The Devil and the Beauty (악마와 미녀) — Yi Yong-min

    1970s

    1970 — Ghosts of Joseon (이조괴담) — Shin Sang-ok
    1975 — The Man with Two Faces (공포의 이중인간) — Yi Yong-min
    1977 — Io Island / Ieodo (이어도) — Kim Ki-young
    1978 — A Woman Chasing a Killer Butterfly (살인나비를 쫓는 여자) — Kim Ki-young
    1979 — The Divine Bough (신궁) — Im Kwon-taek

    1980s

    1981 — Suddenly in the Dark / Suddenly at Midnight (깊은 밤 갑자기) — Go Yeong-nam
    1981 — The Hut (피막) — Lee Doo-yong
    1981 — A Monstrous Corpse (괴시) — Kang Beom-gu
    1982 — Dracula in a Coffin — director unconfirmed

    1990s

    1995 — 301, 302 (삼공일 삼공이) — Park Chul-su
    1997 — The Hole — director unconfirmed
    1998 — Whispering Corridors (여고괴담) — Park Ki-hyung
    1998 — The Quiet Family (조용한 가족) — Kim Jee-woon
    1999 — Memento Mori (여고괴담 두번째 이야기) — Kim Tae-yong and Min Kyu-dong
    1999 — The Ring Virus (링) — Kim Dong-bin
    1999 — Tell Me Something (텔 미 썸딩) — Chang Yoon-hyun
    1990s — Deep Scratch — director unconfirmed

    2000s

    2001 — Sorum (소름) — Yoon Jong-chan
    2003 — A Tale of Two Sisters (장화, 홍련) — Kim Jee-woon
    2004 — R-Point (알 포인트) — Kong Su-chang
    2006 — The Host (괴물) — Bong Joon-ho
    2009 — Thirst (박쥐) — Park Chan-wook

    2010s

    2010 — I Saw the Devil (악마를 보았다) — Kim Jee-woon
    2010 — Bedevilled (김복남 살인사건의 전말) — Jang Cheol-su
    2012 — Horror Stories (무서운 이야기) — Min Kyu-dong, Jung Bum-shik, Hong Ji-young, Kim Gok and Kim Sun, Lim Dae-woong
    2015 — The Silenced (경성학교: 사라진 소녀들) — Lee Hae-young
    2016 — Train to Busan (부산행) — Yeon Sang-ho
    2016 — The Wailing (곡성) — Na Hong-jin

    2020s

    2021 — Seire (세이레) — Park Kang
    2022 — The Fifth Thoracic Vertebra — Park Se-young
    2024 — Exhuma / Pamyo (파묘) — Jang Jae-hyun
    2024 — Hopeu (호프) — Na Hong-jin

  • The Korean Ghost and Mr. Skeptic

    The Korean Ghost and Mr. Skeptic

    After the release of Supernatural Encounters in South Korea, one of the comments Shawn received surprised him.

    Several readers expected a book about ghosts to be written by a true believer. Instead, they found a surprisingly skeptical approach to paranormal claims. One reviewer described the book as “a rather clever turn,” while another called Shawn “a more discerning Peter Underwood.”

    In this episode, Joe and Shawn discuss why skepticism is essential when researching ghost encounters, supernatural folklore, shamanism, and alleged hauntings. They explore pareidolia, memorates, social media ghost hunters, fraudulent psychics, and why cultural traditions should never be treated as automatic evidence for the supernatural.

    The conversation also examines famous haunted locations, including why Yongma Land is probably Seoul’s most successful ghost story despite not being haunted at all.

    Book recommendations

    • Into the Occult, Peter Underwood
      • So many books; others to consider:
        • A Ghost Hunters Handbook
        • Dictionary of the Supernatural
    • The Supernatural, Douglas Hill and Pat Williams
    • Shawn’s book! (Not too many books about true alleged encounters in Korea)

    Apple Podcasts SpotifyAudible Bleav Podcast Network 

    Join our Patreon to get more stuff

    https://patreon.com/darksideofseoul

    Book a tour of The Dark Side of Seoul Ghost Walk at https://darksideofseoul.com

    Credits

    Produced by Joe McPherson and Shawn Morrissey

    Music by Soraksan

    Top Tier Patrons

    Angel Earl
    Joel Bonomini
    Devon Hiphner
    Gabi Palomino
    Steve Marsh
    Eva Sikora
    Hunter Winter
    Cecilia Löfgren Dumas
    Ashley Wright
    Edward Bradford
    Boram Yoon
    Chad Struhs
    Stewart MacMillan
    Louise Dreisig

    Why a Ghostlore Researcher Should Be Skeptical

    One of the more surprising reactions Shawn received after publishing Supernatural Encounters in South Korea came from a reader who thought he believed too little.

    The reader had apparently expected a book full of unquestioning belief in ghosts, shamans, and supernatural encounters. Instead, they found discussions of skepticism, psychology, folklore, and the possibility that many alleged hauntings aren’t hauntings at all.

    They weren’t the only one to notice. One reviewer commented that reading ghost claims researched by a skeptic was refreshing. Another described Shawn as “a more discerning Peter Underwood.”

    That reaction says a lot about how people think paranormal research works.

    For some reason, people assume that if you spend years researching ghosts, you must believe every story you’re told. The opposite is usually true.

    The longer you spend around ghost stories, haunted locations, psychics, shamans, and paranormal investigators, the more skeptical you become.

    Not because mystery disappears.

    Because bullshit doesn’t.

    Loving the Weird

    One of the first things Shawn discusses in the book is his lifelong fascination with the supernatural. It shaped the movies he watches, the music he listens to, the art he enjoys, and the books that fill his shelves. Gothic horror films. Doom metal. Horror comics. Folklore collections. Ghost stories. The weird has always been there.

    When he uses the word “weird,” though, he doesn’t mean unusual. Everybody calls themselves weird these days. If you have to tell people you’re weird, you’re probably not.

    He’s using the older sense of the word. The unexplained. The uncanny. The things that seem to sit just outside our understanding of reality.

    That’s what attracts him.

    It’s also why skepticism matters.

    The Problem with Charlatans

    The supernatural attracts charlatans the way streetlights attract moths.

    Religion is full of them. Folk traditions are full of them. Social media may have produced more than all previous generations combined. Spend enough time researching ghosts and eventually you’ll meet people whose stories don’t quite line up. Dates change. Timelines shift. Historical details are wrong. The supernatural claim gets bigger every time they tell it.

    The problem is that many people assume cultural tradition itself is evidence.

    It isn’t.

    Culture deserves respect. Folklore deserves preservation. Traditions deserve study. None of those things automatically prove that a ghost, spirit, ancestor, demon, or deity was actually present.

    This is one reason Shawn’s comments about Korean shamans occasionally surprise people. He doesn’t believe shamans automatically deserve to be believed simply because they’re shamans. The same standard should apply to everyone. Claims require evidence.

    Ghosts Have Gone Electric

    That includes ghost hunters.

    One section of the book, “Ghosts Have Gone Electric,” takes aim at the modern paranormal industry that has grown up around social media. Every week seems to produce another YouTube investigator waving blinking gadgets around an allegedly haunted building while dramatic music plays in the background.

    Many of these places aren’t haunted.

    Some aren’t even abandoned.

    Yongma Land is probably the best example. It’s routinely described online as one of Seoul’s most haunted locations. The problem is that visitors pay admission to enter. It functions as a photography and filming location. The ghost stories generate attention. The attention generates visitors. The visitors generate money.

    That’s not a haunting.

    That’s marketing.

    The Stories Behind the Stories

    None of this means ghost encounters don’t happen.

    Shawn makes it very clear throughout the book that he believes genuinely unexplained experiences occur. They’re simply much rarer than most people think.

    The biggest lesson he learned while researching the supernatural isn’t that ghosts are everywhere.

    It’s that most people who report ghost encounters aren’t trying to tell ghost stories.

    They’re trying to explain something they genuinely experienced.

    Whether their explanation is correct is another question entirely.

    That’s where skepticism becomes valuable.

    Not because it kills the mystery.

    Because it helps us get closer to whatever truth might be hiding underneath it.